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Release Date: 24/05/2024Visit product page →
British four-piece rock band Collateral are set to release their highly anticipated sophomore album Should’ve Known Better on May 24, 2024. The album is distributed worldwide by Cargo. The album will be released on CD, red vinyl, picture disc, limited edition cassette, and digital. Friday February 9th will see the release of the lead single “Glass Sky.”.
The new single “Glass Sky” and the forthcoming album Should’ve Known Better is produced by Dan Weller (Those Damn Crows, Enter Shikari, Monster Truck, Kris Barras, Holding Absence, Bury Tomorrow).
"I love massive riffs, massive hooks and feel-good guitar music,” says Weller. “When Collateral sent me their demos, I jumped at chance to produce their new record. I’m proud of what we managed to create. It’s Collateral mk2 - ambitious, daring and refined. I can’t wait for people to hear it."
Since the band released their debut album (Top 5 UK Rock Album Chart) at the start of 2020 Collateral have spent no time standing still. Covid came only weeks after the debut album was released and forced the band to cancel their highly successful tour with Phil X (Bon Jovi) halfway through. This made the band hungry to keep the momentum. With innovative ways to produce top quality live streams, the band became special guests supporting the likes of Skid Row, H.E.A.T and Reckless Love.
The exciting and flamboyant Kent-based rock and roll band are comprised of Angelo Tristan (lead vocals, guitar), Louis Malagodi (guitar), Jack Bentley-Smith (bass) and Ben Atkinson (drums).
On October 21, 2022, Collateral independently released a re-mixed and re-mastered version of their debut album “Re-Wired” which featured Jeff Scott Soto, Phil X, Kee Marcello, Rudy Sarzo, Danny Vaughn, and Joel Hoekstra. The re-release saw the band in the Official UK Rock Charts at #12.
After the gruelling back-to-back tours with Skid Row, H.E.A.T and Reckless Love, the band ignited a spark and strengthened their already loyal fanbase leading them to win the opening slot at 2023s Stonedead Festival, leading the band to perform their biggest show.
Collateral’s hotly tipped sophomore album looks like it will take them to the next level. A lot of people don’t know what to expect from the new album, as the band have been tight-lipped about the new songs. Collateral have created a state-of-the-art rock album that will immerse listeners in their rock music universe, enabling fans to feel the blood, sweat and glory that went into the recording of every song.
“We felt that our debut album was lacking the production,” reflects Collateral’s frontman, Angelo Tristan. “For the sophomore album, I wanted to make sure that this time we left no room for error and so got one of the hottest producers in the music industry, Dan Weller, to help lift these songs into a new dimension. With Dan’s pioneering studio expertise, this album has massive production quality that enables you to get lost in each character-filled track. Dan really brought out the emotions we were trying to portray and has achieved it with his own unique style.”
“We wanted this album to express where we were in our own lives since the release of our first. So much has happened since then, I mean the world shut down for what felt like a lifetime! And it was obvious that people were going to need some sort of optimism. I hope ‘Glass Sky’ is one of those songs that gives people the belief to find themselves again.”
“Whereas, the feel-good ‘Just One Of Those Days’ is trying to find the good side of a bad day. Me being me, couldn’t help but to write a big power ballad, ‘The Long Road’, that I wrote from a very hard and deep place, in hope that it could maybe bring some peace and comfort to people who need it. I think there’s all aspects of life running though this album and what it means to us will remain in our hearts forever.”
“Should’ve Known Better” is an album that goes beyond specific music genres,” says Angelo. “It’s almost like a soundtrack to a beating heart. It’s an album that will remain timeless in years to come.”
Tracklisting:
1. Glass Sky
2. Original Criminal
3. One Of Those Days
4. Teenage Dreams
5. Elysium
6. On The Long Road
7. No Place For Love
8. Game Changer
9. Final Stand -
Release Date: 31/05/2024Visit product page →
First album in 8 years from Leeds Devo-esque DIY punk trio, full of three minute pop blasts.
Surviving five years as a band on the UK underground scene is difficult to do, lasting for 20 takes a near miracle. However, Cowtown – Leeds formed and raised trio of Hilary Knott (keys/vocals), Jonathan Nash (guitars/vocals) and David Shields (drums) – arrive blinking into 2024 not only intact and able to celebrate two decades together as bandmates and friends, but armed with Fear Of… their first new record in eight years, and a collection of songs that hand-on-heart, away from the sales speak, may be their best work to-date.Friendship can keep a band going for so long, but it’s more than that that’s seen this ostensibly DIY band enjoy European tours with heroes Deerhoof and Quasi, play festivals at home and abroad, and during several periods of time in their history become the most requested hometown support in their native Leeds for any touring band worth their salt – not to mention their own ability to continually sell out shows up and down the UK with little to no backing.
Other projects have come and gone – Nash perhaps most notably as drummer in Hookworms which has since evolved into Holodrum; Knott stepping further into the experimental undergrowth as Basic Switches, among other collaborative efforts – yet the band have remained.
Their fizzed-up brand of Devo-esque punk full of pop smarts has never stood still, constantly being updated and tweaked to sound timeless and subsequently outlast whichever latest guitar sub-genre has cycled back into fashion once again. Always though, Cowtown have kept at their core a warm sense of humour, positivity and the cartoonishly abstract song writing sense that’s always felt like their own small corner of the musical worldA 20-year habit is hard to kick though and the group came to the same conclusion as everyone else; which was to crack on and try not to fear the outcome – and so Fear Of… is here. Silly as it might be to say for a band whose members are living through middle age, there’s a newer maturity to Cowtown’s sound.
That doesn’t mean a monotone faced dumbing down of the frenzied hooks and two-minute blasts that they’ve cornered the market in – heck, the 11 tracks here clock in at a combed 30 minutes or so – but there is the slightest of breathing spaces given here and there.Wonderboy II is a typically all-guns-blazing intro to the album but then they just as quickly change direction, with the angular march of Can’t Talk Now that purposefully strides into a big chorus rather than rushing breathlessly up to it as they might have done previously. As Close To Town As I Like It meanwhile glides along underneath Knott’s more measured turn on lead vocal; she takes centre stage on Sea Lions too which recollects Dolittle-era Pixies in its ascendant guitar riffs thudding percussion.
There’s still plenty of moments where the trio take the clutch fully off, of course – Thru Being Zuul, Offend Kliph and Total Engagement are two tracks that are the kind of giddy, breathless slices of pop punk (not that kind) fun that the band have made their staple over the past 20 years.
Currently Unavailable meanwhile is a suitable rousing finale that touches euphoric heights. Ultimately for Cowtown that search for positivity remains their guiding force; 20 years in and at times it can feel harder than ever for the trio to find it, but Fear Of… is the sound of a band who can still find celebration in the simple importance of being able to make music with your best mates.
Tracklisting:
1. Wonderboy II
2. Can't Talk Now
3. Thru Being Zuul
4. Offend Kliph
5. Total Engagement
6. As Close To Town As I Like To Get
7. Humble Practitioner
8. No Excursions
9. Sea Lions
10. Peace In Our Time
11. Currently Unavailable -
Visit product page →Release Date: 10/05/2024
New Album From The Most Danceable Post-Punk Pop Band In The UK.
It’s like something has exploded!CRUMBS have been incubating this, their second album, for a few years now. Who knows how they kept all the energy in check. It must have been like sitting on a volcano. The songs burst out with pure pop fire, sending splinters of guitar, sharp lyrics and snatches of the catchiest backing vocals.
The rhythm section (Jamie and Gem): it’s like Delta 5 meeting Le Tigre in a dark alley in Leeds, fusing blindly and completely, and then forcing its way into the back entrance of a venue, sending volts through the limbs of the unwitting punters, forcing them to dance. This is TIGHT.
And as the lights come on and the indie kids throw themselves around, Ruth’s vocals sweetly assault their ears with anger, joy, political intelligence - and all around, Stuart’s guitar, sometimes twangly-melodic like the B52s, sometimes sweet and ringing like a memory of Scars, sometimes furious and feeding back, keeps you alert and thirsty for more.
These songs do NOT outstay their welcome. Starts and ends are cut hard: no pre-echo, no wistful, drawn-out regretful fade-outs. CRUMBS have imbibed the key lessons taught by The Gang Of Four and The Au Pairs: never let the energy dissipate. But there is more than anger here. The band have smuggled a pop sweetness into the disciplined shapes of their angular songs. You’re Just Jealous has sharp edges, but it’s generous too.
CRUMBS - a brief history. They are based in Leeds, where they are active movers in the DIY scene that currently thrives in the North of England. They recorded a Marc Riley session in 2016, released their first album (on Everything Sucks) in 2017, toured extensively in 2018 and 2019, playing at the Brudenell Social Club with Swearin’ and Jeffrey Lewis, and at plenty of fests such as LaDIYfest and Specialist Subject’s birthday all dayer in Bristol, A Real Cool Fest in Bradford, Mousetival in Stockton and the Cambridge Indiepop Alldayer.
They spent the pandemic creating these new, tightly-wound, irresistible pop songs.
Tracklisting:
1. You’re Just Jealous
2. Stab Alley
3. Dear Deirdre
4. Diy Sos
5. Rest In Pieces
6. Let’s Not
7. 4291
8. Call Now
9. What’s It Means
10. Sad Snoopy
11. Mambo No.6
12. Too Many Creeps -
Release Date: 24/05/2024Visit product page →
No Guitar (Deluxe Edition) combines the original album with two instrumental bonus tracks from the sessions, “Cavalry” and “C2”, a lush and intricate collection that covers a ton of ground—from the bittersweet jangle of power-pop, to indie-folk, Midwestern emo, and much more.
You can hear shades of shoegaze in “Hi-Elixir”, where a massive wall of fuzzy guitars recalls My Bloody Valentine; “Patience” has a sweet-and-sour bite that recalls acts like Archers of Loaf and Shudder to Think; while “URDoM” swings and sways with a tapestry of guitars reminiscent of American Football and Mineral.
The album marks the latest evolution for cross-continental duo Bernie Gelman and Joseph Brandel, who first met in high school and have been fusing their own unique musical sensibilities ever since, with Gelman operating out of the San Francisco Bay Area while Brandel currently resides in Japan.
“…this is the sound of the days before smartphones and the Internet got in the way of seeking adventure, of not knowing what the band sounded like before going to watch them, of taking a punt on an album that you actually had to buy to hear.” - Monolith Cocktail
“No Guitar squares all the previous works, making the songs much more impressionistic and imposing, at the same time moving away from the lo-fi trace that is common in their last two works, making the story really unpredictable and exciting” - Northern Transmissions
“...a remarkable sonic pastiche of many genres and eras.” - American Pancake
“...drives a sound that is effortless, cloaking the heavy thematic undertones such as isolation, romantic heartbreak, and the loss of a loved one. The lush and intricate songs cover a myriad of stylistic grounds, from power-pop’s punchy bittersweetness and rustling indie folk to the openhearted intricacy of Midwestern emo.” – Ghettoblaster
Tracklisting:
1. Shamble
2. Pastoral
3. Pop Song
4. URDoM
5. Reflector Mage
6. Dysfunction
7. Majesty
8. Hi-Elixir
9. Patience
10. Husk
11. Hotel
12. No Guitar
13. Cavalry (Bonus Track)
14. C2 (Bonus Track) -
Release Date: 24/05/2024Visit product page →
I WILL FILL MY BELOVED MEXICO WITH BETTER DISFIGURED GHOSTS
David Kuhnlein writes like he’s casting a spell. Bloodletter is entrancingly evil, every sentence a revelation and a curse: “How much can you care for someone if you can’t afford to dress them in a body bag? ”
A grotesque world unfurls from his searing prose: “Ghosts reveal their measurements in smoke, different shades, more rings in the middle if they died long ago. Satan can’t keep up.” Blood sacrifices have never been so beautiful. -- Danielle Chelosky
"Half our clothes are on the floor. The other half hang from the ceiling. Labyrinthine flesh-piles make a staircase. Polishing the soot off a breast with my sleeve, I dance horizontally. The band regurgitates into their instruments to slow the tempo, blowing catchy bubbles of sick. Sweat snows upward, stagnant when we see ourselves pooled within it, mosquitoes in a tin can. Vestigial, amoebic replications, abominable degenerations of the ape, totems fucked through stained glass. I toast the trash.
Out of mounds, shaved together into a consciousness, a golden star excretes, floating toward me in a mist, apples singed in her teenaged hair, waist the width of a cigarette. I’m going to bugger her so hard they’ll have to put a serial number on the headstone. “If I’m to your taste, mister, this might spell the end for you.” What more could I ask of a woman?
A heart condition of a child, torqued to breed too soon. I offer dialectic fugues, 77 press her forehead, cast a sigil tuned to the cacophony around us. Swaying, she enters a canyon trance, plummeting under magma.
Beautiful funerals for all my friends. Remember me as an itch."
With cover design, illustrations and Art Cards by Steven Purtill (Human Rights, Coyote, Small Talk at the Clinic etc.) -
Release Date: 14/06/2024Visit product page →
The Return Of Tomorrow is Fu Manchu’s first new album in 6 years, and they made sure that it was worth the wait. Their 14th album is their 1st double LP of new material and it was conceived of as a vinyl listening experience.
The first LP features 7 songs in their iconic heavy fuzz sound including the first single, “Hands Of The Zodiac” and the relentlessly catchy “Loch Ness Wrecking Machine.” The second LP sees the band mellowing out with 6 slower tempo jams including the synth inflected “Solar Baptized” and the title track.
Both LPs are 45RPM for the thickest possible sound.
CD listeners need not worry, as this version of the album was mastered specifically for the format.Like the band’s most recent album, Clone Of The Universe, and the band’s 3 part Fu30 EP series, The Return Of Tomorrow was recorded at The Racket Room in Santa Ana, California by Jim Monroe (Adolescents, Ignite) and co-produced with Fu Manchu.
This limited edition release of 4,000 units is packaged in a glossy gatefold jacket with printed sleeves featuring live photos of the band and includes one “Space” colored LP and one “Sky” colored LP.
Tracklisting:
1. Dehumanize
2. Loch Ness Wrecking Machine
3. Hands Of The Zodiac
4. Haze The Hides
5. Roads Of The Lowly
6. (Time Is) Pulling You Under
7. Destroyin’ Light
8. Lifetime Waiting
9. Solar Baptized
10. What I Need
11. The Return Of Tomorrow
12. Liquify
13. High Tide -
Visit product page →Release Date: 14/06/2024
Theme: collaboration. Or how to remain creative in the modern world.
Nanocluster started as a bespoke one off pop up gig that turned into an album series.
Built around Colin Newman from acclaimed UK post-punk band Wire and his partner in life and sound Malka Spigel from Minimal Compact with various guests, they define collaboration.
Colin met Malka when he produced her band in 1985.The collaboration started there.
They became a couple and created their own projects like the instrumental electronic duo Immersion in 1994 and Githead in 2004 - spaces where they both ‘feel really comfortable.’
Growing out of Immersion, Nanocluster was birthed as a series of one-off gigs at the Rosehill in their new hometown of Brighton in 2017 with an added cast of influential and cutting edge musicians.
These were not ad hoc jams.
The songs had been written and rehearsed prior to each performance. This adventure led to a debut album, Nanocluster Vol 1, released in 2021 with Stereolab singer/guitarist Laetitia Sadier, German post-rock duo Tarwater, electronic musician Ulrich Schnauss and experimental artist Robin Rimbaud (Scanner).
Released again as double 10 inch with each collaboration taking up each disc, the new album Nanocluster Vol 2 has further developed this idea with a stark beauty that sounds like a future pop with sleek lines and unexpected great melodies.
Disc one is built around Thor Harris, the charismatic percussion player from Swans and many other projects, who they met and performed with at South By South West in Austin, Texas in 2023. Thor adds ideas, his tuned percussion instruments, clarinet and trumpet to the sessions.
Disc two is built around Cubzoa (Jack Wolter from the band Penelope Isles) who brings his musical craft, beguiling voice, guitar and much more.
Meanwhile Matt Schulz from Holy Fuck plays drums across both combinations helping the resulting music become a third entity.
What results is a true collaboration that, enhanced via Immersion’s production, merges its elements to develop a new harmony.
Key to the process is Colin and Malka’s radio show for Slack City radio, ‘Swimming In Sound’ with its entertainingly diverse playlist that has widened their horizons. It’s also helped build relationships not only with these collaborators but also musicians like ambient country masters SUSS, with whom they plan an extended Nanocluster tour in the USA with in 2025 and Brighton via Falmouth’s “jangly pop punk” Holiday Ghosts with whom they will perform the next Nanocluster event in their home town, as well as many more in the pipeline.
Malka:
‘Nanocluster is collaboration but in a very specific form. We don't have rules. It’s a series of creative snapshots. We start as the gig with our collaborators with tracks that we rehearse because this is not a jam and where it stops is an album.’
Colin:
‘It’s chemistry & music. Malka & I operate as a team and now we’ve taken it to another level. Malka comes from a band where they would stand in a room together and work out the material. In Wire, I would present the songs, so when Malka and I first started working together, we had to find a third path, and that was the concept behind our collaboration.’
Nanocluster Volume 2 is a 21st century collusion of shared ideas, creating a momentary extended musical family.
It’s about musical and personal relationships and the meeting place in the middle.
A temporary band of house guests.
The place where Immersion happens.Tracklisting:
2 X 10” VWM58LP
Immersion | Thor Harris
A1. As Long As
A2. Just Close Your Eyes
A3. Rotations
B1. The House Of Thor
B2. In Snow
B3. At The Wizard’s House
Immersion | Cubzoa
C1. I’m Barely Here
C2. In The Universe
C3. Other Ways
D1. Not About Me
D2. NeptuneCD WM58CD
Immersion | Cubzoa
1. I’m Barely Here
2. In The Universe
3. Other Ways
4. Not About Me
5. NeptuneImmersion | Thor Harris
6. As Long As
7. Just Close Your Eyes
8. Rotations
9. The House Of Thor 1
0. In Snow
11. At The Wizard’s House -
Release Date: 12/07/2024Visit product page →
One mere year after their previous pitch-black sounding album Krypt, LA outfit Male Tears is back with a new full-length and – oh boy – everything is changed.
The used-to-be duo is now a four piece with James Edward as the sole founding member remaining and apparently this new line-up helped the original vocalist to shapeshift again.
Remember their very first debut album from 2021 and those dark synthpop sounds?
With their upcoming fourth album (in only three years), this American electronic-pop act from Southern California doubles the stakes once again and where Krypt was all about being goth and gloomy and disturbingly paroxysmal, Paradisco is somehow quite the opposite.
Eight new tracks of pure italo disco, hi-NRG and freestyle bliss that pick up where the band left off three years ago to pursue much darker realms. Now that the quest for darkness is done, it is time to polish our nails and dress up for the night-out cause there's more in life than feeling sorry for yourself. Yes you will need to cut out the deadwood but there is no change in stillness.
So join Male Tears and their new arsenal of bangers and floor fillers with assertive titles such as Out of my Life, Regret 4 Nothing and Leave it Alone.
Get yourself wrapped up in one warm cover of delicate nostalgia and reborn romanticism, driven by sounds that pay homage equally to Miko Mission and Ken Laszlo, Lisa Lisa and Exposé and, well yeah, even The Smiths because say what you wanna say but you simply cannot not love The Smiths.
Embrace the vintage vibes that organically propagate from this new record's grooves and get in the mood for this new course in full-on 1980's Pop.
Tracklisting:
1. Talk to Me
2. Leave it Alone (feat. Corlyx)
3. Sex on Drugs
4. Out of my Life
5. Where Is It?
6. He Wants Everything
7. Regret 4 Nothing
8. This Party Ends in Tears (feat. Digital Love) -
Release Date: 07/06/2024Visit product page →
The third album of powerfully vivid songwriting from Marina Allen. Beautifully orchestrated, highly melodic and delivered with unrivalled lyrical perspective. Across two acclaimed records, the Los Angeles-based singer-songwriter has ripened a rare harvest, but her third studio album is an arrival home.
Taking fragments and stories from Marina’s past, Eight-Pointed Star deftly weaves together a new future, in what feels for all the world like a glittering, clear-eyed modern classic of alternative folk and Americana. For fans of Aldous Harding, Fiona Apple and Waxahatchee.
Ineffable and timeless, this collection of songs holds a curiosity that’s as open to you as you are to them. Compared to the soaring and swelling compositions of Allen’s second album Centrifics or the innocent tranquillity of Candlepower, the world of Eight Pointed Star is more deeply addressing and open-armed.
It favours a type of soul-searching that doesn’t dwell in complications, and is open to answers. Rolling guitars rise and fall with the canyons and dust is kicked-up from the red scarred earth. Allen’s vocals pure and crystalline whilst the instrumentation is rich and bursting with brightness. You can hear contentment radiating from the music, with Chris Cohen’s production offering a full-band affair.
Allen’s affection runs deepest for singers who in her words can really sing, from The Roches to Karen Dalton, Joanna Newsom to Meredith Monk. But these influences vanish like ghosts in the attic when she starts to sing herself. Allen has a voice that stands up to the canon – inimitable – and it’s never sounded more resolute than it does here.
Tracklisting:
Side A
1. I'm the Same
2. Deep Fake
3. Red Cloud
4. Swinging Doors
5. Bad Eye Opal
Side B
6. Easy
7. Love Comes Back
8. Landlocked
9. Between Seasons -
Visit product page →Release Date: 21/06/2024
Moon Diagrams – the solo project of Deerhunter co-founder and drummer Moses Archuleta – returns with a second album, Cemetery Classics, on June 21.
The 12-track album is a co-release between Sonic Cathedral (in the UK and Europe) and Angus Andrew from Liars’ new label No Gold (in the US and the ROW) and was mixed by James Ford. It features guests including Anastasia Coope, Patrick Flegel (Cindy Lee) and Josh Diamond (Gang Gang Dance).
It’s Moses’ first new music since 2019’s Trappy Bats mini-album and the follow-up to 2017’s acclaimed debut Lifetime of Love and everything seems a bit more extreme – from the Basinski-esque degradation of ‘Neptune’ to the Faustian industrial noise of ‘Listen To Me’ via Art of Noise-style postmodern pop (the first single ‘Very Much My Promise to You’), Daft Punk bangers (‘Fifteen Shows at One Time’), trip-hop, shoegaze, Jan Hammer, Depeche Mode, late Leonard Cohen and more.
“It’s about finding out your arms are too short to box with god,” says Moses of the emotional force that courses through Cemetery Classics. “It’s the inverse of a desert island disc – a graveyard disc. Songs to take into the afterlife.”
Tracklisting:
1. NRG
2. Mousetrap
3. Fifteen Shows at One Time
4. Metallics in Fur
5. Big Ref
6. Rewop
7. Brand New Effie
8. Neptune
9. Very Much My Promise to You
10. Listen to Me
11. Left Hand of God
12. Fragment Rock -
Surrealist Research
Nikolas Schreck 'The Manson File: Myth and Reality of an Outlaw Shaman' Book PRE-ORDER
£29.99
vSurrealist Research
Nikolas Schreck 'The Manson File: Myth and Reality of an Outlaw Shaman' Book PRE-ORDER
£29.99
Release Date: 21/06/2024Visit product page →
"A major work in elegant prose that will captivate and challenge anyone who thinks they know the story of Charles Manson." - Dr Stephen Harper, author of Madness, Power & The Media, University of Portsmouth
Based on thirty years of research, the story of notorious outlaw, musician and folk devil Charles Manson is revealed to be one of the most twisted and depraved cover-ups in American history.
A landmark in cultural reportage, Nikolas Schreck’s epic long-read shows with meticulous detail how a confluence of Hollywood, the music industry, organized crime and the judiciary colluded to conceal the real motives for the 1969 “Helter Skelter” killing spree.
Structured like a proverbial helter skelter, this groundbreaking work cracks open the official story to reveal the interconnected aspects of Charles Manson as philosopher, musician, revolutionary and patsy.
An essential textbook for scholars and a mighty “true crime” book for the general reader, The Manson File reveals a secret history of America in a narrative as artful as a great novel. -
Visit product page →Release Date: 31/05/2024
Rise Of The Northstar is the rising star of French metal internationally. Known for their incredible stage performances, the band has recently set fire to the stages of the biggest French and European festivals such as Hellfest (FR), Cabaret Vert (FR), Resurrection (ES), Full Force (DE), Jera (NL), Alactraz (BE)...
After ranking top 20 in France with its latest album "SHOWDOWN" released on April 7, 2023, and top 30 in Germany (Number 1 Amazon), ROTN releases for the first time on vinyl its EP "DEMONSTRATING MY SAIYA STYLE" whose eponymous title is a fan favorite counting more than 8M views on Youtube.
The bonus track "Phoenix", so far only available on the Japanese edition of the debut album "Welcame", is also added to this edition.
Tracklisting:
1.Bejita's Revenge
2.Sound Of Wolves
3.Show Me Your Respect
4.Against All
5.Demonstrating My Saiya Style
6.Protect Ya Chest
7.Phoenix
UK Tour Dates May 15th Manchester Academy 3 / May 16th Leeds Key Club/ May 18th London The Dome / May 19th Bristol The Fleece -
Release Date: 14/06/2024Visit product page →
Originally released in 1990, Royal Trux’s ‘Twin Infinitives’ is being re-issued in all its (yet to be translated) alien glory, by Fire Records. A dismantled overture that sprawls out over two records, an avant-garde masterpiece that was the spark for Drag City Records and generations of new sound seeking musicians.
Hailed in the same immortal breath as Beefheart’s ‘Trout Mask Replica’, the Velvets’ at their frenzied peak and Ornette Coleman at his most avant-garde, the duo of Pussy Galore’s Neil "Michael" Hagerty and Jennifer Herrema recorded ‘Twin Infinitives’ while imbibing all kinds of mind-altering substances to create an inadvertent blueprint for what the duo was building with moog’s, guitars and melodicas to name a few ingredients.
It is the legendary second album from the masters of the genre mashup - long before “genre mashups” even existed. Arguably, the term “mashup” was coined to describe what Trux, as they subconsciously scrolled through the radio stations of their lives.
The album’s chaotic sound and offbeat construction laid the foundations for a string of Royal Trux albums that spiralled between genres, tunings, and noise. Through the 90s they would re-invent the rock ‘n’ roll ethic, straddle alien surf music, re-align boogie rock, not to mention 80s hair metal, and confound critics by their wildly meandering and courageous rites of passage.
Remastered as part of a career spanning catalogue deal with Fire Records. The infamous and influential duo of Jennifer Herrema and Neil Hagerty will be delving into the archive with a comprehensive reissue series, unearthing the vaults and revisiting what made them such a compelling benchmark for their contemporaries and imitators. Reawakening their prolific output within a new monochrome vinyl series covering 1988-1993, they begin with their seminal deconstructed rock masterpiece Twin Infinitives.
- Pitchfork
“Sounding like a subway ride inside a television inside an earthquake inside the end of the world and a pounding death rhythm of apocalyptic now.”
Tracklisting:
Disc One
A1. Solid Gold Tooth
A2. Ice Cream
A3. Jet Pet
A4. RTX-USA
A5. Kool Down Wheels
B1. Chances Are The Comets In Our Future
B2. Yin Jim Versus The Vomit Creature
B3. Osiris
Disc Two
C1. (Edge Of The) Ape Oven
D1. Florida Avenue Theme
D2. Lick My Boots
D3. Glitterbust
D4. Funky Son
D5. Ratcreeps
D6. New York Avenue Bridge -
Visit product page →Release Date: 28/06/2024
Alter is proud to present the debut full length release from devotional music outfit Unstern, a collaborative effort between deep ambient artist Arzat Skia and prodigal pianist Leo Svirsky.
Co-mixed by Swedish electronic music luminary Civilistjävel! and mastered to tape by Stefan Betke, the album features lush electronics, two pianos refracting across the stereo field, processed recordings from the Peruvian Amazon, bowed percussion by Greg Stuart, alongside strings and renaissance meantone organ recorded at Orgelpark in Amsterdam.
The results are an abundant audio illusion where what seemingly repeats slowly over time morphs in a manner where the destination escapes the departure point with extreme discretion, a reverent nod to Morton Feldman's compositional method of "Crippled Symmetry."
Throughout Es Geht Der Tag there is a muted, refined melancholy imbued with a constantly fluctuating pulse which generates a sense of temporal disorientation, leaving the listener lost in a strange yet not at all unfamiliar sonic labyrinth. It is a journey whereby a glorious subtle tension exists between the grandiose and the restrained.
This is environmental music, not in the sense of capturing nature itself, more with regards to an unfolding of audio elements which move in a manner in tune with the multitude of flows in the world.
Unstern’s Es Geht Der Tag is a deep mental journey, rich in subtle transcendental tendencies and psychic liberation.RIYL: Gas, Arvo Part, Charlemagne Palestine, Hoedh, His Divine Grace, Die Sonne Satan, Werkbund, Asmus Tietchens
Tracklisting:
1. All the Kingdoms Of The World In A Moment Of Time
2. Of Fire And The Many-Eyed Wheels
3. Malign Star
4. In The Roar Of Your Channels
5. Es Geht Der Tag Zur Neige -
Visit product page →Release Date: 31/05/2024
London-based rock duo, Yur Mum, is set to release their highly anticipated album, "Duality," on April 30, 2024.
"Duality" serves as the sequel to their 2021 LP, "Tropical Fuzz," and encapsulates the band's essence as a fusion of contrasts – Female meets male, Europe meets South America, and rock meets Brazilian music.
Anelise, the bassist and vocalist, expresses, "It's a total yin and yang. We're embracing our differences and blending them together to create something unique." The album features recent singles 'Say Say' and 'New Beginnings,' which gained recognition on BBC's 6 Music and Radio 1, along with Spotify editorial playlists.
The duo's Brazilian roots are exposed in tracks like 'Hands To The Sky', 'Anhangá', ‘Café’, and ‘Snakes Don’t Fly’, featuring Myura Amara from PollyPikPocketz. In a bold move, Yur Mum has opted for an independent release, expressing pride in creating the album they envisioned.
Collaborating with producer Alex Gordon, known for his work with bands like Tigercub and CLT DRP. "Duality" promises a wild mix of beats and melodies, rocking out with fuzzed-up riffs. Yur Mum's iconic bass and drums have levelled up, bringing an even bigger sound. Beyond the high-energy tunes, the band explores themes like faith, guilt, existentialism, mental health, toxic people, classism, and immigrant catharsis.
The album cover, designed by Fabio Couto, portrays a fusion of the duo in an androgynous and striking composition. Fabio says it was captured “DIY style” with an old smartphone camera.
Yur Mum, consisting of Anelise Kunz and Fabio Couto, stands out in the two-piece band scene with their distinctive Fuzz Punk Rock sound and South American influences.
Tracklisting:
1. New Beginnings
2. Say It
3. Anhanga
4. Hands To The Sky
5. Snakes Don’t Fly
6. Guilty
7. Guilt
8. Obnoxious
9. Immigrant
10. Same Igual
11. Café
12. Go Back -
Release Date: 14/06/2024Visit product page →
Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called ‘Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance.
The tracks on ‘Grush’ are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, ‘Imperial Crescent’ is named after a Japanese Hotel, as is ‘Belvedere’ in Prague, while some tracks such as ‘Hyper Daddy’ were created specifically to play live.
Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take ‘Hyper Daddy’s’ spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking.
Elsewhere there's territory which harks back to his Tusken Raiders pseudonym, like the heads down Drexciyan funk of ‘Windsor Safari Park,’ which transforms from moody electro into a sunny hardcore track midway.
The album is interspersed with Reticulum A, B and C at the start middle and end of the album which suggest a theme which carries across the music in an effortless and joyful way. ‘Grush’ is a strong album that works both for listening and DJing and a great snapshot of where Mike Paradinas musical head is at in 2024.
Tracklisting:VinylSide A1. Reticulum A2. Hyper Daddy3. FogouSide B1. Magic Pony Ride (Pt.4)2. Imperial Crescent3. Reticulum B4. GrushSide C1. Belvedere2. Raver3. Windsor Safari Park4. HastingsSide D1. Manscape2. Metaphonk3. Reticulum C
CD1. Reticulum A2. Hyper Daddy3. Fogou4. Magic Pony Ride (Pt.4)5. Imperial Crescent6. Reticulum B7. Grush8. Belvedere9. Raver10. Windsor Safari Park11. Hastings12. Manscape13. Metaphonk14. Reticulum C
